![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitqRz8ux4GwRTlbqoiTqCwZQIaOkRhpLo8flkTQlGJhGLGGdCEFyvAhyphenhyphenLU5S_R-I6OgubFQGUxXvkZslY-rXR_B1skbgpzQtnfBShToXoSCtUx4JMCQM6CeWVNoMijobswWYvAVQ/s1600/KINSKI_REVISITED_thumb.jpg)
![digital](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrff3xjBc8XVBRM0_nQGqTLWwfDGW5Fawx5rz10sOoOiErAoxBfQB2su4zLkDn3c4OJOYGU0LRe6_R0j9N14Mk9cNLMU2jjYJjNPN398xGOlC7KcOrAtsU2IqWJwf6rhZrYgS-vw/s320/digitalkinski.jpg)
My work as director and compositor on the trailer to KINSKI REVISITED - the imaginary yet affordable next motion picture starring Klaus Kinski (1926 - 1991) - was discussed in detail at FMX. Unsurprisingly, the licence to use the copyrighted background material was denied by Werner Herzog Film GmbH.
Unfortunately, however, the master himself - Herzog - didn't see the work. Only the private screening arranged for technology-savvy Roland Emmerich produced the wanted elation.